{"id":109,"date":"2002-08-20T03:15:48","date_gmt":"2002-08-20T10:15:48","guid":{"rendered":"http:\/\/www.ryanspeck.com\/blog\/?p=109"},"modified":"2023-06-24T00:59:05","modified_gmt":"2023-06-24T07:59:05","slug":"smp-terminal","status":"publish","type":"post","link":"http:\/\/www.ryanspeck.com\/blog\/smp-terminal\/","title":{"rendered":"SMP &#8211; &#8220;Terminal&#8221;"},"content":{"rendered":"<div class=\"tmpl-text-2 boldgrid-section dynamic-gridblock\">\n<div class=\"container\">\n<div class=\"row\" style=\"padding-top: 0px; padding-bottom: 0px;\">\n<div class=\"col-md-1 col-sm-2 col-xs-6 col-lg-3\">\n<p class=\"\" style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"bg-img wp-image-112 size-medium alignleft\" src=\"http:\/\/www.ryanspeck.com\/blog\/wp-content\/uploads\/2022\/10\/terminal-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"http:\/\/www.ryanspeck.com\/blog\/wp-content\/uploads\/2022\/10\/terminal.jpg 300w, http:\/\/www.ryanspeck.com\/blog\/wp-content\/uploads\/2022\/10\/terminal-150x150.jpg 150w, http:\/\/www.ryanspeck.com\/blog\/wp-content\/uploads\/2022\/10\/terminal-48x48.jpg 48w, http:\/\/www.ryanspeck.com\/blog\/wp-content\/uploads\/2022\/10\/terminal-250x250.jpg 250w, http:\/\/www.ryanspeck.com\/blog\/wp-content\/uploads\/2022\/10\/terminal-180x180.jpg 180w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<\/div>\n<div class=\"col-md-4 col-sm-6 col-xs-12 col-lg-9\">\n<h4 class=\"color1-color\" style=\"margin-top: 20px;\"><span style=\"color: #cf2e2e;\">SMP<\/span><\/h4>\n<p class=\"\" style=\"margin: 20px 0;\"><em>Terminal<\/em><br \/>\n(Underground Inc.)<\/p>\n<p class=\"\" style=\"margin: 20px 0;\">Don&#8217;t get me wrong&#8230; I like SMP a lot. I mean, &#8220;Terminal&#8221; was, for me, the best album of 2000. Unfortunately, this is not &#8220;Terminal&#8221;. This is, in fact, a &#8220;Jason Bazinet&#8217;s greatest hits&#8221; album, collecting songs from &#8220;Terminal&#8221; and &#8220;Ultimatum&#8221;, as well as new tracks, &#8220;Acid Drop&#8221; and &#8220;Analogue Assassins&#8221;, from the &#8220;Notes From Thee Real Underground&#8221; series.<\/p>\n<p class=\"\" style=\"margin: 20px 0;\">In all fairness, it isn&#8217;t quite right to even call it &#8220;Terminal&#8221;, as it contains only 9 of the original 17 tracks, having trimmed out everything touched by Sean Ivy after his departure from the band and replaced them with some of Jason&#8217;s favorites from the past two albums. A fantastic and well-balanced electro-punk-rap album now sounds very hollow in its new form.<\/p>\n<p class=\"\" style=\"margin: 20px 0;\">I understand the need to release an album that you can tour behind and Underground Inc. is a great opportunity for SMP&#8217;s music to finally see daylight. And I admit tracks like &#8220;Chemicals&#8221;, &#8220;Pictures Of You&#8221;, and &#8220;Megaton&#8221; still satisfy, but this is a case of insufferable revisionist history. It doesn&#8217;t seem right to finally offer fans easy access to your album nationwide, but make no attempt to tell them that this isn&#8217;t the album they think it is. And without upbeat tracks like &#8220;Policy&#8221;, &#8220;Dirt&#8221;, &#8220;Anthem&#8221;, and &#8220;Mothkiller&#8221; on this &#8220;improved&#8221; album to balance out Jason&#8217;s more downbeat industrial-rap, this &#8220;Terminal&#8221; is inaccessible.<\/p>\n<p class=\"\" style=\"margin: 20px 0;\">Fortunately for fans, ADSR Musicwerks still has copies of the original version available.<\/p>\n<p class=\"\" style=\"margin: 20px 0;\">(Underground Inc., P.O. Box 16008 Chicago, IL 60616)<\/p>\n<p>&nbsp;<\/p>\n<p><em>from IndustrialnatioN Magazine #17 (2002)<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>SMP Terminal (Underground Inc.) Don&#8217;t get me wrong&#8230; I like SMP a lot. I mean, &#8220;Terminal&#8221; was, for me, the best album of 2000. Unfortunately, this is not &#8220;Terminal&#8221;. This is, in fact, a &#8220;Jason Bazinet&#8217;s greatest hits&#8221; album, collecting songs from &#8220;Terminal&#8221; and &#8220;Ultimatum&#8221;, as well as new tracks, &#8220;Acid Drop&#8221; and &#8220;Analogue Assassins&#8221;, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"bgseo_title":"","bgseo_description":"","bgseo_robots_index":"index","bgseo_robots_follow":"follow","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[26],"class_list":["post-109","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-industrialnation"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/www.ryanspeck.com\/blog\/wp-json\/wp\/v2\/posts\/109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.ryanspeck.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.ryanspeck.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.ryanspeck.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.ryanspeck.com\/blog\/wp-json\/wp\/v2\/comments?post=109"}],"version-history":[{"count":3,"href":"http:\/\/www.ryanspeck.com\/blog\/wp-json\/wp\/v2\/posts\/109\/revisions"}],"predecessor-version":[{"id":504,"href":"http:\/\/www.ryanspeck.com\/blog\/wp-json\/wp\/v2\/posts\/109\/revisions\/504"}],"wp:attachment":[{"href":"http:\/\/www.ryanspeck.com\/blog\/wp-json\/wp\/v2\/media?parent=109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.ryanspeck.com\/blog\/wp-json\/wp\/v2\/categories?post=109"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.ryanspeck.com\/blog\/wp-json\/wp\/v2\/tags?post=109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}